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CAPABILITIES
CH 01–06
REC·SIX CAPABILITIES·ONE CREW

Nobody to point at
but us.

Live switching, camera operations, multicasting, sound, post, and virtual — six capabilities run by one crew on one workflow. Bring your own gear, your venue’s, or none at all; we fill whatever’s missing.

Tell us what you’re working with

Free 20-min call · no pitch
We’ll tell you what it actually takes

See it live →
An operator's hand resting on a lit vision-mixer panel, with a multiviewer above it showing camera feeds from a concert
Program1920×1080 · 59.94
FEED 01 · LIVE SWITCHING
Input 01

Live Switching

Multi-camera with real-time graphics, branding, and seamless transitions, cut live to any source.

  • 01Hardware vision-mixing with redundant encoding
  • 02Real-time lower-thirds, branded bugs, and scoreboard-style graphics
  • 03Pre-roll, breaks, and transition packages cut to brand
  • 04Remote presenter ingest with sub-second latency
  • 05Crew coms and confidence monitoring for the control room
Discuss this service →
Input 02

Camera Operations

Cinema and/or PTZ robotic cameras with operators who compose for the moment and cover every angle.

  • 01Cinema-grade large-sensor cameras with broadcast lenses
  • 02PTZ robotic systems for tight spaces and lower costs
  • 03Steadicam, slider, and jib for movement when it serves the story (and budget)
  • 04Operators with theater, concert, and corporate experience
  • 05We're happy to use our cameras, your cameras, or your venue's cameras.
Discuss this service →
A mirrorless camera body and three prime lenses laid out on a dark surface
Program4K · CINEMA
FEED 02 · CAMERA OPERATIONS
Platform app icons arranged in a cluster, suggesting one stream going out to many destinations at once
ProgramRTMP · MULTI-DEST
FEED 03 · MULTICASTING
Input 03

Multicasting

Stream to every platform at once. Each feed can be individually optimized and tuned for its destination.

  • 01Simulcast to YouTube, LinkedIn, Facebook, Twitch, and more
  • 02Embed-ready private players for ticketed and gated streams
  • 03Multi-region delivery with automatic failover
  • 04Each stream optimized for its destination
  • 05Vertical and horizontal formats, simultaneously
Discuss this service →
Input 04

Sound Engineering

Capture, mix, and audio reinforcement with live monitoring. Broadcast-clear audio for the stream and the room.

  • 01Dedicated broadcast mix separate from house reinforcement
  • 02Wireless lavalier and handheld systems
  • 03Live monitoring on calibrated headphones for the director
  • 04Loudness-normalized master to stream and recording
  • 05We can provide audio services or receive a mixed feed from the venue / AV team
Discuss this service →
A large mixing console in a studio, with outboard racks either side and guitars hung on the wall behind
ProgramAUDIO · BROADCAST
FEED 04 · SOUND ENGINEERING
A close-up of an editing timeline on screen: stacked colour-coded clips and audio waveforms running past a red playhead
ProgramPOST · DELIVERY
FEED 05 · REPURPOSE & ROI
Input 05

Repurpose & ROI

Turn one event into a library of content that keeps working long after the lights go down. We can handle editorial or can hand off the masters and ISOs to your team.

  • 01Real-time social clips
  • 02Full highlight reels and sizzle edits
  • 03Speaker-by-speaker cut-downs with branded bookends
  • 04Vertical reframes for Reels, Shorts, and TikTok
  • 05Archival masters and ISOs delivered to your asset library
Discuss this service →
Input 06

Virtual Events

Fully virtual and hybrid productions. Presenters and audiences join from anywhere, fully interactive.

  • 01Studio-quality production from anywhere in the world
  • 02Multi-presenter coordination with green-room workflow
  • 03Integrated chat, polls, and live Q&A surfaced on program
  • 04Sponsor packages, virtual booths, and break content
  • 05Recording, transcript, and on-demand cuts delivered post-show
Discuss this service →
A remote attendee at a home desk watching a live stream play on a desktop monitor
ProgramVIRTUAL · HYBRID
FEED 06 · VIRTUAL EVENTS
However you're set up

Your gear, your venue’s, or ours.

Take the whole package, or drop us into the one seat your team can't fill. Most shows are some mix of both.

Cameras

Hire ours, use yours, or take a feed from the venue's. Cinema bodies, PTZ robotics, or a mix of all three.

Audio

We can run the broadcast mix ourselves, or receive a mixed feed from your AV team or the house and take it from there.

Post

We can cut the highlights, speaker sessions, and social clips, or hand off the masters and ISOs for your team to edit.

Run for
General Electric
United Nations
Spotify
ACLU
The Moth
Northwell Health
See the work ↗
CCOn the record
“I knew I was in perfect hands. They go about each production with unparalleled quality, and are there with you every step of the way with full transparency.”
Chloe SalmonThe Moth
Most productions run
$8–20k
per day

Every show is scoped to the room. Fewer cameras for an intimate benefit, a full broadcast package for a multi-day conference. The standard doesn't move, the shape does.

Smaller single-camera shows start around $4k. Under that we're not the right call, and we'll point you to someone who is.

Check availability for your date

Free 20-min call · no pitch

Before you ask

The technical questions

What people actually want to know once they've read the spec sheets.

01We already have an AV team, or our venue has its own cameras.

Then we work with what's there. We're happy to use our cameras, your cameras, or the venue's, and we can take a mixed feed from your AV team rather than duplicating their audio. Most productions are some mix of ours and yours; you're not obligated to take the whole package.

02What happens if the venue's internet fails?

We plan for it. Shows run on redundant encoders with a backup connection path, and multi-destination delivery fails over automatically. Venue internet is the single most common point of failure at live events, so we never rely on it alone.

03Do we get the raw footage, or just the stream?

Both. You get archival masters and the individual camera ISOs delivered to your asset library, so your team can cut from them later. If you'd rather not, we can handle editorial and deliver highlight reels, speaker cut-downs, and social clips instead.

04Can the stream be private, gated, or ticketed?

Yes. We deliver embed-ready private players for ticketed and gated streams, on your own site or a custom one, as well as to the public platforms. Plenty of shows run both a public feed and a private one at the same time.

05Can you deliver vertical video for social?

Yes, and simultaneously with the horizontal program rather than as an afterthought. We can also cut vertical reframes for Reels, Shorts, and TikTok in post, plus real-time social clips during the event itself.

06How far in advance do we need to book?

Two weeks is workable for a straightforward single-room show: first call at T–14, planning by T–10, and rehearsal the day before. Multi-day conferences and anything needing a site visit want more. If your date is sooner than that, ask anyway; it depends what else is on the calendar.

Standing by

Let’s scope
your show.

Free consultation, no pressure. Bring your run-of-show, your dates, or just a rough idea. We’ll tell you what it actually takes.